Download E-books The DC Comics Guide to Digitally Drawing Comics PDF

By Freddie E Williams II

At last–the first advisor to drawing comics digitally! Artists! achieve terrific superpowers...with assistance from your laptop! The DC Comics consultant to Digitally Drawing Comics exhibits find out how to quit pencil, pen, and paper and begin drawing dynamic, interesting comics artwork completely with desktop instruments. writer Freddie E Williams is one among DC Comics' most well-liked artists and a pacesetter in electronic penciling and inking–and right here, in transparent, step by step instructions, he courses readers via every little thing of the electronic strategy, from turning at the laptop to completing a electronic dossier of absolutely inked comedian paintings, prepared for print. making a template, sketching at the desktop, penciling, and at last inking digitally are all lined intensive, in addition to daring, timesaving shortcuts created by way of Williams, verified through years of trial and blunder. Step into the electronic age, streamline the drawing method, and jump over the restrictions of mere actual drawing fabrics with The DC advisor to Digitally Drawing Comics.

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The representation simply proven is an effective instance of what I suggest. The historical past consists of 3-D types, whereas the figures have been hand drawn in Photoshop. For years, I’ve been dreaming of constructing totally immersive 3D backgrounds for my comedian booklet paintings, however it used to be only in the near past that i used to be capable of discover this dream—after some of my buddies referred me to a 3D modeling application known as Google SketchUp. Above is the instance i exploit in bankruptcy nine while explaining the right way to create views and cityscapes in Photoshop. Above is that very same scene, this time created in Google SketchUp. utilizing an identical paths I used to create the face of the demo development, I created a 3-D model of that development. the variation this is that during Google SketchUp i will stream the “camera” to any perspective I want. I’m not sure through the 2-D constraints of a Photoshop dossier. i will be able to mess around with an never-ending array of digital camera angles, then export my selected “shot” over to Photoshop. the canopy of The Flash #237 makes use of a 3D atmosphere created in Google SketchUp. whilst I discovered that the canopy could characteristic the day-by-day Planet construction (I am a freak for all issues Superman), i wished to ensure I obtained the point of view right, which might be in particular tough with a rounded form just like the globe atop the day-by-day Planet development. So i made a decision to move the entire method with it, creating a complete three-D history for the canopy. My spouse, Kiki, and that i labored jointly to create the day-by-day Planet’s globe and the development itself, utilizing in basic terms Google SketchUp. during this view, the 3D version of the day-by-day Planet simply seems like a really actual line drawing. Then I mixed the day-by-day Planet development with different customized and inventory constructions in Google SketchUp, developing a complete digital urban! What’s even cooler is that every one the development face paths I’ve created in Photoshop should be introduced into SketchUp and extruded to offer the structures intensity. which means i will be able to create complete digital towns that experience a similar think and personality because the ones I’ve drawn in Photoshop long ago. Google SketchUp—which is simple to take advantage of and is free—has turn into a life-saving instrument for me. i urge you to look at it, at http://sketchup. com. GIVING MY thank you This e-book represents a virtually two-year-long trip for me, yet i didn't do it by myself. it'd be most unlikely to checklist all of these those that have made an impression on my artwork and existence, yet i need to provide specified due to the subsequent humans: John Morgan, my editor for this ebook, for containing my hand during the whole writing technique and championing the booklet at DC Comics. Richard Bruning and Peter Tomasi, for giving me an opportunity at my lifelong dream of drawing comc books. I owe every one of them a existence debt. Jim Mitchel, for being my aim reader and giving me one thousand million very good feedback. George Ryan, Bob Ryan, and Carlo Pascolini, for pushing me to write down the e-book and making me discover i used to be operating in a manner that others could benefit from. Jay younger, for selflessly writing customized JavaScripts in Photoshop that kept me weeks’ worthy of labor.

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